From 6th to 17th July 2020, a team from Factum Foundation spent twelve days in Venice recording the Island of San Giorgio Maggiore in its entirety. 

This ground-breaking ARCHiVe project, linked with EPFL's Venice Time Machine, involved the collaboration of Factum Foundation, the Fondazione Giorgio Cini, Ecole Polytechnique Fédérale de Lausanne (EPFL) and Iconem. The aim was to demonstrate that technologies such as aerial and ground-based photogrammetry and LiDAR recording could eventually be used to record the whole of Venice. 

After the acqua alta of November 2019 reached the highest recorded level in fifty years, ARCHiVe's aim of efficiently and effectively aiding the preservation of Venice's fragile cultural heritage acquired a new note of urgency. Swiftly convened discussions between the partner institutions led to this project being undertaken as soon as the COVID-19 emergency allowed for the respective teams to travel once again.

The island was recorded from more than 600 different recording spots, from which a massive 60.000 million-point cloud was generated. The data acquired through photogrammetry is currently being merged with the point-clouds - with the aim of creating a 3D model of the whole island. 

The first phase of the project involved recording the Basilica of San Giorgio Maggiore. To do this, Factum Foundation's Pedro Mirò and Otto Lowe, aided by Emanuele Zampieri and Francesco Cigognetti, employed LiDAR scanning (using a Leica RTC360) and ground-based photogrammetry (using a Sony A7Riv camera). The first day saw the recording of the interior of the Palladian church, the apse and the inside of the bell tower, while the following days were dedicated to the exterior of the church and the crypt.

Render of the façade of San Giorgio Maggiore © Factum Foundation for ARCHiVe

© Factum Foundation for ARCHiVe

Point-cloud render of the apse © Factum Foundation for ARCHiVe

Francesco Cigognetti recording the altar and the lectern © Otto Lowe for Factum Foundation

3D model of the lectern © Factum Foundation for ARCHiVe

Pedro Miró and Emanuele Zampieri recording the Longhena Stairs © Otto Lowe for Factum Foundation

Individual details were recorded using photogrammetry © Otto Lowe for Factum Foundation

The data acquired using photogrammetry was merged to the LiDAR dataset, creating a 3D model of the Longhena Stairs © Factum Foundation for ARCHiVe

Render of the Longhena staircase © Factum Foundation for ARCHiVe

Render of the Longhena staircase © Factum Foundation for ARCHiVe

Render of the Longhena staircase © Factum Foundation for ARCHiVe

Point-cloud render of the Longhena staircase © Factum Foundation for ARCHiVe

Video of the first processing of the 3D model of the Longhena Staircase © Factum Foundation for ARCHiVe

Point cloud of the cloister of San Giorgio Maggiore © Factum Foundation for ARCHiVe

Point cloud of the damaged walls of the cloister © Factum Foundation for ARCHiVe

(Detail) Point cloud of the damaged walls of the cloister © Factum Foundation for ARCHiVe

3D model of the bust of Ezra Pound by Henri Gaudier-Brezka (authorized copy by Isamu Noguchi), one of the contemporary sculptures in the Fondazione Cini’s courtyards © Factum Foundation for ARCHiVe

Following a radio program on the project of digitising the Island of San Giorgio (The World, September 2020), Factum Foundation was contacted by Divirod, a start-up from Boulder, Colorado, who developed a laser sensor that uses existing satellite data to generate hydrological models that are accurate to about 1 mm, using harmonic recordings to create models of tide, wave activity, erosion, flooding.

Based on the high-profile recording of San Giorgio Maggiore, Divirod agreed to provide one of their advanced sensors to monitor the relationship between land and water on the island, with the data being accessible in real time on desktop and mobile devices. The sensor is currently being tested in Italy prior to its installation.

Press features:

- Sunken Treasures (Project Management Institute, March-April 2021)
- Cutting-Edge Technologies are being used to help save Venice (Architectural Digest, October 2020)
- New technologies might save Venice's cultural heritage from the floods (ArchDaily, October 2020)
- Preserving the floating city of Venice digitally (The World, September 2020)
- New laser-scanning project will allow Venice to live on forever as a digital avatar (The Art Newspaper, September 2020)
- La Magnifica Preda (Il Giornale dell'Arte, September 2020)
- Un visionario sull'isola di Borges (Il Giornale dell'Arte, Vernissage, July-August 2020)