In October 2017, students from Columbia University´s graduate course Preservation Technology assisted Factum Foundation´s Pedro Miró and Otto Lowe with the high-resolution in 3D and colour of the marble panels from the south and west walls of the Basilica di San Marco, in Venice, also known as the 'trophy wall'. This complex surface was digitized with photogrammetry and composite colour photography as part of a research project about the aesthetics of marble. More than five thousand photographs were taken of the two walls.
The marbles add a symbolic layer of meaning to the facade of St Mark Basilica. The slabs, formed with materials taken from Constantinople, were positioned to draw attention and significance to their location. Each colour carried political or liturgical connotations that visitors could recognize within the interior and the exterior of the space. For instance, green, black and white marbles, used to cover slabs and column shafts of the facade were traditionally associated with imperial sarcophagi.
Processing the data
This complex surface was digitized with photogrammetry as part of a research project about the aesthetics of marble. More than five thousand photographs were taken of the two walls.
The images were processed using Capturing Reality software to focus on the relief with and without the colour information. The samples below offer both sets of information.
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