Factum Foundation is delighted to announce that the project to record the Nabataean, Dadanite and Lihyanite heritage in the AlUla oasis in high-resolution 3D and colour is in its final phase after two years of intensive work.
Over the past month of recording, the focus moved away from the tomb façades and inscriptions and towards the environments in which they sit. The outcrops from which the tombs were carved in Hegra, the World Heritage Site in AlUla, were recorded in their entirety using photogrammetry.
Yeserías (carved plaster decorations) are the embodiment of the co-habitation of Muslim, Jewish and Christian communities in Spain. A number of yeserías were recorded in high-resolution throughout 2020 and 2021, using photogrammetry, LiDAR and the Lucida 3D Scanner in the Royal Alcázar and the Casa de Pilatos in Seville, the Casa de Mesa and the Sinagoga del Transito in Toledo. Facsimiles of the panels will form a plaster ‘lapidarium’ in the rooms created by Factum and Charlotte Skene Catling for the Spanish Gallery in Bishop Auckland.
More on the project
Factum Foundation and Colnaghi are developing an increasingly close relationship. This month we have completed the full colour and 3D recording of both sides of an important tapestry by Pieter Coecke van Aelst (1502-1550) woven in about 1530. It is the only surviving tapestry from a series of nine works commissioned by Henry VIII, depicting the life of St. Paul. The resulting digital passport of the object will be essential to monitor the condition of the tapestry and will be used for conservation and research purposes. The data will also inform a study into the stresses placed on the threads holding the tapestry together and will inform a digital reconstruction of the original colour.
For the exhibition 'Tizians Frauenbild' (5 October 2021 - 16 January 2022) at the Kunsthistorisches Museum, Wien, Factum Foundation carried out the recording of Titian’s La Sapienza (c. 1560) at the Biblioteca Marciana.
The painting was recorded on June 16th in Venice using composite photography by Gabriel Scarpa, with the aim of producing a facsimile that will be on display on the vaulted ceiling while the original will be in Wien for the exhibition.
From the 18th-19th June 2021, a symposium was held to discuss the use and application of advanced technologies in conflict and peacebuilding contexts. Organized by the Instituto de Resolución de Conflictos de la Universidad de Castilla la Mancha (UCLM) and Universidad Politécnica de Madrid (UPM) in collaboration with the Factum Foundation, the Spanish Ministry of Foreign Affairs and CITPax, the symposium called upon field experts, AI experts, diplomats, and academics from Spain and beyond to offer insight into the advancement of technology and its potential use for application in the field of mediation.
This symposium provided a platform for discussion amongst specialists to address both the negative aspects of machine learning and AI applied in conflict situations, as well as the positive uses of AI as a tool to achieving peace.
From the discussions held, the participants to the symposium established the ‘Toledo Declaration’, outlining eleven guidelines to form a European Initiative for ‘Technology diplomacy and Artificial Intelligence for conflict prevention and mediation’ endorsed by many partners.
Factum Foundation’s new project is the restoration and reuse of the Silo at the Toppila Pulp Mill (on the left of this image). Alvar and Aino Aalto's Silo was a woodchip store in a cellulose factory close to Oulu city centre, just south of the Arctic Circle.
We are working on ways to reuse the Silo as a creative research centre focused on the documentation of industrial buildings in northern Europe, on innovative technologies to record environmental change and research into sustainable materials including cellulose.
We are starting to assemble a group of friends of the AALTOSIILO project.
If you are interested in being part of this dynamic and rapidly-developing project please contact us at firstname.lastname@example.org.
Kate Fitz Gibbon from Cultural Property News interviewed Factum Foundation's Ferdinand Saumarez Smith on the challenge to identify and preserve the Bakor Monoliths, and on the projects on rock art carried out by the Foundation. "The trips we have done over the past five years have really been about documentation and dialogue. [...] We’ve brought skills and technology to the table which can make “first-aid” records. And we’ve tried to make it sustainable by offering 3D-documentation training and providing equipment like drones. But that has to go hand in hand with talking to the communities, because at the end of the day, they are going to be the people who preserve them long-term."
Read the full interview on Cultural Property News
It is with great sadness that we announce the outcome of the Planning Inquiry around the Church Bell Foundry in Whitechapel. Our sadness is really focused on the values that lie behind the decision. Consent has been granted to turn London´s oldest company, founded in 1570 and working until 2017, into a hotel, several restaurants, bars and a private members club.
Over four years of fighting, we have built a movement of like-minded people. With the help of Grayson Perry and other artists, we are now going to demonstrate how new markets for bells will celebrate the vital role they play within the public imagination. Factum Foundation would like to thank everyone who has done so much to support the revitalisation of the foundry.
Photo © John Claridge
Next year is the hundredth anniversary of the discovery of the tomb of Tutankhamun by Howard Carter and his team. Factum's 3D and colour data, recorded in 2009, is in demand and we are following instructions from the Egyptian Ministry of Tourism and Antiquities about how to make the data accessible.
Our 3D-modelling team is currently working on a new 4K model of the tomb that will demonstrate the importance of high-resolution recording.