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Capturing Footprints
Capturing Footprints

As part of our first practical collaboration with Iconem in Pakistan, Factum Foundation´s Ross Davison and Luke Tchalenko carried out the high-resolution recording of a fossilized footprint in motion. The imprint was captured using a combination of systems, including photogrammetry and drone recording. The high-resolution information obtained will be used to make an exact facsimile for the Pakistan Museum of Natural History in Islamabad. While the team recorded these footprints in Pakistan, the BBC reported that vandals damaged an ancient dinosaur footprint in Australia. This sad news demonstrates the obvious need to train local teams and transfer technologies to record heritage in danger.


Recording in Jeddah
Recording in Jeddah

Factum Foundation’s Pedro Miró and Otto Lowe traveled to Jeddah (Saudi Arabia), as part of a pilot project with Art Jameel documenting vernacular architecture and training Saudi students in photogrammetry for cultural heritage preservation. During their time there, they recorded the surface of three traditional buildings in the old city by taking more than a 3,000 photographs at each site using both photogrammetry and the Faro Focus laser scanner. Preliminary processing demonstrates both the precision and adaptability of these two technologies. They also recorded trained students from Jameel House of Traditional Arts located in Al Balad, Jeddah and practiced recording architectural details details with them.


Recording Qut paintings in Asir, Saudi Arabia
Recording Qut paintings in Asir, Saudi Arabia

The Foundation, working with Art Jameel, has been on a fact finding mission that has involved the recording of some of the remaining examples of the delicate and discrete qut wall paintings. This image from Rijal Alma was recorded just before rebuilding was about to take place. As the country modernises and builds, the preservation of the remaining evidence of its deep cultural history is of great importance. Ali Moghawi was the guide for the visit. As always, in depth local knowledge is critical to an understanding of the specific challenges facing the protection of cultural heritage in the region. The artist Ahmed Mater accompanied Adam Lowe, Gabriel Scrapa and James Macmillan Scott and provided a unique insight into the needs of contemporary artists in the region.


3D model of the statue of Idrimi
3D model of the statue of Idrimi

The statue of Idrimi, a refugee from Aleppo who rose to become the king of Alalakh in southern Turkey 3,500 years ago, was recorded and scanned last February at the British Museum. A 3D model of the recorded data is now available on Sketchfab. The Factum Foundation will make a facsimile of the statue and donate it to to the UK charity Making-Light to be part of its exhibition Syria Past and Present. The statue of Idrimi has never left the British Museum because of conservation concerns.

Click on the link to read a review of the project published on Current Archeology.


Podcast "Traditional and Digital Artisans Meet"
Podcast "Traditional and Digital Artisans Meet"

Adam Lowe presented a talk at Project Space Art Jameel in Dubai entitled Traditional and Digital Artisans Meet, exploring the ways in which new technologies are being used in both architectural conservation and contemporary art. Using Stoppelaëre House in Egypt as a case study in technology transfer, training, and the use of non-invasive means for preservation, the discussion focuses on the importance of sustainable tourism. The talk also describes a more recent collaboration with Art Jameel, training students at the Jameel House of Traditional Arts (Jeddah) techniques in scanning and documenting the architectural heritage of Al-Balad, a UNESCO World Heritage Site.


View and Protect Assyrian Winged Lions
View and Protect Assyrian Winged Lions

The exhibition Nineveh: Heart of an Ancient Empire at the Rijksmuseum van Oudheden has on view two Lamassu re-materialized by the Foundation. The originals were recorded at the British Museum in 2014. The Lamassu will be donated after the exhibition to the Ashurbanipal Library in the University of Mosul, as a gift from the British Museum, the Rijksmuseum and Factum Foundation to replace the plaster casts donated in 2014 and destroyed or sold by IS. See how these Winged Lions were digitized and re-materialized.


True Copies
True Copies

Jeffrey Brown from PBS NewsHour visited Factum last March to learn more about our work both at Factum Arte and the Foundation. His piece focuses on our approach to understanding and preserving the integrity of cultural objects and heritage. Click here to watch the video.


Recording at Ferapontov Monastery
Recording at Ferapontov Monastery

Following a long journey to a landscape of pristine lakes and forests in northern Russia, the 11th of May marked the beginning of a three-month recording session at the Ferapontov Monastery, a UNESCO world heritage site. Teams from Factum and the Peri Foundation are working every evening in the Cathedral of the Nativity of the Virgin to photograph over six-hundred square meters of frescoes painted in 1502 by the renowned icon painter Dionisy. High up on a wheeled platform, which will eventually reach more than ten meters for the recording of Christ in the cupola, Peri and Factum photographers have already captured a number of scenes from the southern wall, including the miracle of St Nicholas expelling the devil from a fantastical tree in bright ochres and reds, and light greens. After data processing, the high-resolution 'snapshot’ will aid the monastery museum in its ongoing conservation effort to maintain the delicate condition of the frescoes and will also provide an invaluable resource to historians of Russian and Byzantine art around the world.


Xingu Heritage
Xingu Heritage

A team from Factum Foundation has just returned from the upper Xingu region of the state of Mato Grosso, Brazil, where they participated in People’s Palace Projects collaboration with the indigenous filmmaker Takuma Kuikuro. Factum’s team made a complete LiDAR scan of Takuma’s village, Ipatse, photogrammetric recordings of human artefacts and features of the natural environment using a drone. The work is intended to contribute both to Takuma’s filmmaking and Ipatse’s planned cultural centre in the nearest town, Canarana.


Soane's Ark: Building with Symbols
Soane's Ark: Building with Symbols

Factum Foundation's Ferdinand Saumarez Smith has written a new article exploring the conceptual background to the exhibition 'Soane's Ark: Building with Symbols' as a 'Think Piece' for the Architectural Review. Click here to read it.

The exhibition closes on the 21st of January.


The Griffoni Altarpiece Returns to San Petronio
The Griffoni Altarpiece Returns to San Petronio

On October 1st, 2017, the facsimiles of all known panels of the Griffoni Polyptych were installed in the St. Vincent Ferrer Chapel in the Basilica of San Petronio in Bologna, their original location. The altarpiece returned to San Petronio after a 200-year absence in time for Pope Francis visit to the Basilica. The panels were removed from the Chapel in the C18th and were sold as separate paintings. The original panels of this altarpiece are now preserved in various collections including the National Gallery, Pinacoteca di Brera, the Palazzo Cini, the Vatican Museum and the National Gallery of Art. For more information about this project, click here.


Data ownership & access
Data ownership & access

Factum Foundation will participate this September in the “Reproduction of Works of Art and Cultural Heritage” (ReACH) roundtable at the Hermitage Museum with the V&A and Peri Foundation. ReACH celebrates the 150th anniversary of Henry Cole's 1867 Convention for Promoting Universally Reproductions of Works of Art for the Benefits of Museums of All Countries by establishing a recording strategy that benefits local institutions while ensuring public access to heritage data. ReACH is organising a series of international symposia to discuss new approaches to digitizing and reproducing cultural heritage. Tristam Hunt, Director of the V&A, spoke at the second event at the Smithsonian and introduced Adam Lowe’s presentation.


Visit "Scanning Seti" in Basel
Visit "Scanning Seti" in Basel

Scanning Seti: The Regeneration of a Pharaonic Tomb is exhibited at the Antikenmuseum Basel and will remain on view until May 6th, 2017. Scanning Seti is a presents the evolution of the tomb of Seti I since its discovery in 1817 by Giovanni Battista Belzoni to the present day. The exhibition features a full recreation of the Hall of Beauties as it looked in 1817 based on Giovanni Battista Belzoni´s famous watercolours. The public can also walk through a 1:1 facsimiles of rooms I and J. These replicas incorporate the facsimiles of fragments removed from the original tomb in the XIX century and now preserved at the Louvre, the British Museum, the Archeological Museum in Florence, and the Pergamon Museum.

Discover the exhibition Scanning Seti: The Regeneration of a Pharaonic Tomb. or click here to learn how these facsimiles were made.


The Facsimile of Idrimi
The Facsimile of Idrimi

On September 27th, at Lambeth Palace, the Archbishop of Canterbury and Making Light launched an initiative to present new voices of Syrian refugees. Factum Foundation supported their efforts by recording the statue of Idrimi at the British Museum and creating a 1:1 replica. Idrimi was forced to flee Aleppo about 3,500 years ago. The re-materialized statue of the King of Alalakh is the embodiment of the resilience and determination of all Syrian refugees.

See the 3D model or read a review of the project published by Current Archeology.


Factum Foundation has now produced facsimiles for the exhibition IDENTIFICATION at the State Hermitage Museum
Factum Foundation has now produced facsimiles for the exhibition IDENTIFICATION at the State Hermitage Museum

The State Hermitage Museum in St. Petersburg is hosting the exhibition ‘IDENTIFICATION’ to coincide with the third event of ReACH, a series of international symposia led by the V&A and the Peri Foundation to discuss the digitisation and reproduction of cultural heritage.

Organised by the Peri Foundations the exhibition traces the history of Kala-Koreysh, one of the oldest Islamic settlements in Dagestan, through interpretations of the inscriptions and ornaments on the tombstones in the mosque cemetery. It is designed as a journey of discovery in which the viewer is encouraged to use different techniques, materials, and data to ‘scan’ the layers of information in these objects. Factum Foundation participated in the recording of Kala-Koreysh in 2016 and has now produced facsimiles of two of the most important tombstones and a pair of doors from the mosque. The tombstone facsimiles were digitally carved in limestone and the doors, intended for eventual installation at the mosque, in oak.

ReACH takes place on the 20th-21st Sep. and ‘IDENTIFICATION’ is open to the public from 21st Sep.-23rd Oct. 2017.


Digitizing Antonio Canova's work

The Civic Museum of Bassano del Grappa has partnered with the Factum Foundation to digitize the work of Antonio Canova. The collaboration began with the digitization of Canova´s Three Graces using a combination of recording techniques including photogrammetry and a white light scanning. The Foundation will continue to digitize more than 2000 drawings donated by Giambattista Sartori, the brother of the sculptor. The aim of this project is to promote the study and access to drawings that under normal circumstances cannot be exhibited to the public because of conservation issues.


Understanding Seti´s Sarcophagus
Understanding Seti´s Sarcophagus

On Monday, November 27th, Joanna Tinworth, Curator at the Sir John Soane's Museum, and Adam Lowe, discussed the importance of recording the sarcophagus of Seti I and the role this data in preparing the exhibition Egypt Uncovered: Belzoni and the Tomb of Pharaoh Seti I currently on view at the Soane Museum in London.

As part of the events marking the bicentennial of the discovery Seti's tomb by Giovanni Battista Belzoni, they discussed Soane's engagement with this important object and its continued appeal to visitors and researchers alike. The Foundation has also produced a facsimile of the sarcophagus for the exhibition Scanning Seti - the regeneration of a pharaonic tomb at the Antikenmuseum Basel. Adam Lowe will discuss the technologies and processes used to create this replica and how this facsimile can help visitors understand the sarcophagus in a different way.


A new book scanner in Daghestan
A new book scanner in Daghestan

With the support of the Peri Foundation, the new Factum Foundation book scanner was installed at the Institute of History, Archaeology and Ethnography (IHAE) in Makhachkala (Dagestan). The IHAE will start using this scanner to record their collection of over 3000 Islamic manuscripts, but this transfer of technology marks only the beginning of a long-term project that will eventually see the digitisation of an estimated 25,000 manuscripts held by private individuals, mosques, and madrasas in the region. Whilst the Factum team were in Makhachkala, Shamil Gadzhidadaev and Gennady Viktorov, two Dagestani photographers who learned 3D digital recording at Factum Arte (Madrid) in 2016, were themselves training two new photographers for another Peri/Factum project that will take place in northern Russia this summer.


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